Today we’d like to introduce you to Cheri Randolph. They and their team shared their story with us below:
Cheri Haley Randolph, fine art photographer, has served as exhibition director for Spring Street Studios since 2015. Randolph earned a BFA in Art History from Louisiana State University at New Orleans and has served as a volunteer lecturer for New Orleans Museum of Fine Art. In 2009, she began exhibiting her art photography at two small independent galleries in Houston and has maintained a studio gallery at Spring Street since 2012.
Randolph is a visionary photographer known for her unique ability to immortalize fleeting moments in time through the lens of her camera. With a passion for documenting places and objects on the brink of disappearance, she crafts images that tell captivating stories and evoke a profound sense of connection.
She has served on the Sawyer Yards Artist Advisory Committee since 2015, helping to direct events and projects not only for Spring Street Studios but also the entire Sawyer Yards Campus. During her tenure organizing curated exhibits for Spring Street, she has guided the selection and installation of 26 major art exhibitions. By calling on local gallerists and educators to partner with the artists at Spring Street, they have mounted shows that seek to educate and enlighten viewers.
Alright, so let’s dig a little deeper into the story – has it been an easy path overall, and if not, what were the challenges you’ve had to overcome?
For artists, one of the most daunting challenges is the act of exposing your innermost thoughts, emotions, and vulnerabilities through your work. Creating art is an intimate process, and sharing it with the public can be like revealing one’s soul, which makes artists susceptible to judgment and criticism. I think that often you feel as I would imagine an actor on a stage.
As a curator organizing art exhibitions, I often struggle with managing a diverse group of artists, each with unique visions, temperaments, and expectations. Balancing the needs and preferences of multiple artists can be a logistical and interpersonal challenge. Effective placement of artwork is an art form in itself. Curators must determine the best arrangement to maintain visual interest and flow in the exhibition space. They must also weave these diverse voices into a harmonious visual narrative for the audience.
Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I take immense pride in my role as a curator, not only for the exhibitions I’ve organized but also for the profound impact I’ve had on emerging and aspiring artists. Through my work, I’ve been able to create opportunities for artists who might have never even imagined being part of an exhibition. This is a source of deep satisfaction for me.
This sense of camaraderie and collaboration serves as a catalyst for improvement. As each artist is inspired by the diverse and creative energies of their peers, their own work evolves and refines. The association with fellow artists pushes everyone to reach new heights, experiment with different techniques, and refine their artistic voices.
Ultimately, what makes me most proud of my work as a curator is the knowledge that I have been able to provide a platform for artists to shine, for their art to be exposed to the public, and for them to engage with other talented artists. Through these exhibitions, I’ve witnessed the transformative power of creativity and collaboration, and it’s immensely gratifying to know that my role as a curator has played a part in this collective artistic journey.
Contact Info:
- Website: https://fineartamerica.com/profiles/cheri-randolph?tab=artwork
- Instagram: https://www.instagram.com/cherirandolph/
- Facebook: https://www.facebook.com/cheri.h.randolph
