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Life & Work with Shang-Yi Hua of Houston

Today we’d like to introduce you to Shang-Yi Hua.

Hi Shang-Yi, please kick things off for us with an introduction to yourself and your story.
I was born in Taiwan. Back then in Taiwan, I never imagined I would pursue an artistic career. I went to the United States to study business, get married, and have children. Because of my immigration status, I couldn’t work in the US, so I focused all my energy on taking care of my children. As my children grew up, I had more time to reflect on my role. My faith helped me find a way out, so I started taking courses at Glassell Art school, and got my certification. Then I was accepted by the Block program at Glassell Art school. It’s a turning point in my life. I met many good friends and I had many opportunities to show my works at different venues .

The transition from being a full-time mom to an artist is simply incredible for me. I am filled with gratitude.

We all face challenges, but looking back would you describe it as a relatively smooth road?
The challenging things are language and culture gap. English is not my native language so it’s hard for me to communicate with people fluently because all my friends were Chinese before I went to Glassell art school. I was raised in a conservative environment and culture. Although I have lived in the United States for 30 years, I am still learning and integrating into American culture. These challenges have transformed into an expectation, which is reflected in my work.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I’m a sculptor. I think of the process of making sculptures as keeping a diary to record what touches and inspires me, as well as what happens around me.

When I create a sculpture, sometimes I have an image already in my mind through meditation; sometimes it’s just an intuition to create a piece, and after it’s finished, I meditate on it. I produce work that merges natural and artificial materials, East and West cultures, or spirituality and personal reality. I use various techniques such as applying heat to acrylic, making resin molds, welding, woodworking, and Kintsugi to form visual and physical connections in my art practice.

The fusion of different materials in a single piece is related to my immigrant background, which is what sets me apart from others.

Who else deserves credit in your story?
I’m very grateful that God put many good people in my life to help me.
My sculpture teacher, J Hill, not only taught me many skills but’ also encouraged me and helped me.
Being part of Block program in Glassell Art School is a turning point in my life.
Cindy Lisica represented me while she lived in Houston. She offered me many opportunities to show my works.
My dear husband always supports me from the beginning to now.

Contact Info:

A long, thin, twisted branch with hanging roots leaning against a white wall, on a dark wooden floor.

Piece of bark with a metal saw blade inside, arranged in a circular shape on a white background.

Two crumpled paper sculptures on white bases, resembling abstract figures or animals, against a plain gray background.

A twisted, leafless tree with gnarled branches and roots, set against a plain gray background.

Blue abstract sculpture on a white pedestal against a plain wall, with a tall, pointed shape and textured surface.

White painted tree branch with a small wooden handle in the middle, against a plain light gray background.

White bowl with gold crackle pattern on a white background.

Sculpture resembling a snake, mounted on a white wall, with a wooden ceiling above and a gray floor below.

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